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Emerald cuts have a presence that’s entirely their own. Instead of a burst of sparkle, they offer something quieter — long, clean flashes of light that feel deliberate and steady, almost architectural. These pieces carry that energy beautifully.

There’s something naturally graceful about the silhouette of a pear shape. It doesn’t feel strict or geometric; almost like a raindrop right before it falls, or a moment suspended between movement and pause.

There’s something satisfying about a perfect square — the balance, the clean edges, the quiet symmetry of it. These pieces capture that feeling in a way that feels modern without being cold, refined without being rigid.

Oval shapes have a way of feeling both familiar and quietly distinctive. They stretch the light just a little longer, soften it at the edges, and create a kind of glow that doesn’t rush — it lingers. These pieces carry that feeling in a really natural way.

There’s something about a circle that feels inherently calm — no edges, no angles, no beginning or end. Just a clean, continuous line that keeps moving until it finds itself again. These pieces capture that feeling effortlessly.

Some shapes feel familiar the moment you see them, even if you can’t explain why. The marquise outline has that effect — a little like a drop of water in motion, a little like an eyelash curve, a little like a leaf caught in stillness. It has movement built into it, even when everything around it is perfectly quiet.

Yellow diamonds have this magical way of brightening everything around them — and these cushion-cut studs are no exception. The moment you see them, they have that instant “lift” effect, like someone just opened the curtains and let warm morning light spill into the room.